Clay Cane is a New York City-based writer who is recognized for his contributions in journalism. His work covers diverse issues such as politics, pop culture, sexuality, race and more. Clay is a regular contributor for various print and online publications such as Essence, BET.com and The Advocate. He is the author of the highly anticipated novel Ball-Shaped World, which is a fictionalized account of the black and Latino ballroom scene. Also, he is columnist for BET.com's WHAT THE FLICK. He can be reached at claycane@gmail.com.
There were a string of black female artists who attempted crossover success in the late '80's and early '90's. The soul was toned down, the pop was hyped up, all with the hope they could be the next pop diva.***
“Girls Nite Out” was Collins' biggest hit, which peaked at number #6 on the Billboard Hot 100 and another #8 hit on the Billboard R&B chart. I owned the cassette single to this song—remember those? Something very interesting about the video... there is only one other person of color in the video. Obviously the powers that be behind Collins truly wanted her to crossover and thought she had the non-threatening looks to do so—don’t think having no other black women in the video and one man with a conk wasn’t a conscious choice! You better get into her performance on that bed -- she is emoting like the rent is past due!Labels: Old School
Posted by Clay :: 12:20 AM ::
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